Celebrating 60 years of The Chieftains!
The Owsley Stanley Foundation’s ninth release of Bear’s Sonic Journals: The Foxhunt features the Chieftains performing live in San Francisco in 1973 (CD & vinyl) and 1976 (CD & digital only).
“I love them both! They contain lovely subtleties that don’t normally happen” — Paddy Moloney, August 2021, after listening to Bear’s tapes.
“A masterpiece. Dad gave what I believe to be one of the most intimate and connected shows I have ever heard.” –John Carter Cash
After a tumultuous 1967 for Johnny Cash, the year 1968 was bookended by what would become his two iconic, highest-grossing albums, At Folsom Prison and At San Quentin. But now, fifty-three years later, a lost chapter has emerged to enrich and complement the story of that very good year.
The Owsley Stanley Foundation’s 8th release of Bear’s Sonic Journals: Johnny Cash – At the Carousel Ballroom features Cash playing songs of outsiders, outlaws, and in-laws, exquisitely captured by Bear.
This should set the Buckley-sphere on Fire! When you find a new live Tim Buckley recording, it's like finding a whole new Tim Buckley!
The Owsley Stanley Foundation’s Seventh release of Bear’s Sonic Journals: Merry-Go-Round at the Carousel features Tim Buckley at his jazzy, improvisational best, including the only known recordings of several Buckley originals and a stunning medley showcasing a version of Fred Neil’s, “Merry-Go-Round.”
These tapes are magic.
How did the court musician of the Maharaja, a man called the "Bach of India," and "perhaps the greatest musician in the world" find himself playing to a psychedelic crowd at the Family Dog, a countercultural beacon on the edge of Western civilization, with Owsley mixing the sound? Come take a magical trip with us and find out!
“These are the most extensive files there are of our music from this time. There are titles here never heard before [on a release] and seldom played. It is historically important. Spirited.” - Commander Cody
"Sociologically, you know, this all represents a big switch in the whole rock 'n' roll trip" - Jerry Garcia
“A legend recording a legend” – T. Michael Coleman, Bass
It’s not just the energy of youth that shakes me when I listen to these tracks — it’s the musical dialogue that Jack and I shared in these amazing moments. -Jorma Kaukonen
The Owsley Stanley Foundation presents its third chapter: Bear’s Sonic Journals: Before We Were Them, Jorma Kaukonen & Jack Casady, Veterans Memorial Building, June 28, 1969, available now on CD. This live concert recording features recently discovered and previously unreleased music from Jefferson Airplane’s fabled guitar and bass players before they became known as Hot Tuna.
“A wicked blend of rock, jazz and R&B that created a dynamic, groundbreaking sound.” – John Lynskey , Hittin’ The Note
Sign Up For Occasional Updates
You have Successfully Subscribed!
Bear’s Sonic Journals Presents:
Masterpieces Unearthed from
Owsley’s Famed Archive
The Chieftains in San Francisco
Ali Akbar Khan, with
Indranil Bhattacharya and
Family Dog at the Great Highway
May 29, 1970
2 CD set
The Allman Brothers Band
3 CD release with extended material
From all three shows, as played on
February 11, 13, & 14, 1970
The Owsley Stanley Foundation is dedicated to the preservation of “Bear’s Sonic Journals,” Owsley’s archive of more than 1,300 live concert soundboard recordings from the 1960s, 1970s, and 1980s, including recordings by Miles Davis, Johnny Cash, The Grateful Dead, Jefferson Airplane, Fleetwood Mac, Janis Joplin, and more than 80 other artists across nearly every musical idiom.
About The Owsley Stanley Foundation
The Owsley Stanley Foundation is a 501c(3) non-profit organization dedicated to the preservation of “Bear’s Sonic Journals,” Owsley’s archive of more than 1,300 live concert soundboard recordings from the 1960s, 1970s, and 1980s, including recordings by Miles Davis, Johnny Cash, The Grateful Dead, Jefferson Airplane, Fleetwood Mac, Janis Joplin, and more than 80 other artists across nearly every musical idiom. These analog reel-to-reel recordings are nearing the end of their expected shelf lives and will deteriorate and be lost forever if they are not preserved. The effort to preserve these historically vital recordings is estimated to cost between $300,000 – $400,000. All donations and proceeds from the development of the recordings flow back into the effort to preserve more of Bear’s Sonic Journals and perpetuate Owsley’s legacy, including patronage of the arts in all of its forms. Our staff is entirely comprised of volunteers, and many of the support services necessary to run the organization have been donated by generous contributors that believe in the mission to save this music before it is lost forever.
Save The Music
The "Save The Music!" campaign seeks to raise money to enable the digitization, preservation, and release of Bear's Sonic Journals, a trove of over a thousand live concert recordings from the heart of the psychedelic era. Donations are much appreciated, and are in fact essential to our ability to preserve and release future recordings!
You can donate via our secure form, or send checks made out to the Owsley Stanley Foundation to: Owsley Stanley Foundation PO Box 625 Occidental, Ca 95465. We were officially granted 501(c)(3) nonprofit status by the IRS in December 2012. All donations to the Owsley Stanley Foundation are fully tax deductible.
For donations of $400 or more, we will work with you to select one of Bear’s Sonic Journals for priority preservation. Along with other recognition of your generous contribution, if the recording you select is viable for future release by OSF, you will receive a liner note credit.
Reach out if you have questions, or to see how you can support the Owsley Stanley Foundation.